5/26/2023 0 Comments Blade runner screenwriter![]() ![]() I think we were making a statement about the government, and the future, and the climate, and the disparaging rift between rich and poor.įancher: I mean, I was devastated that animals were disappearing at the rate they were disappearing - the rainforest was going bye-bye. ![]() That's why people were moving off-world - to get off this planet before it disintegrated. Snyder: It was an idea that the environment is crumbling, and the idea was that the rain in the film was like acid rain. Until 1980, it was like, Whole Earth Catalog, CoEvolution. My job became the reconstructor art director, turning everything upside-down and sideways, to better effect - because Ridley's brilliant.ĪN ENVIRONMENTAL MESSAGE BASED IN ITS TIMEįancher: The reason I was able to write the movie, and not be distracted as I always am by a million other things, is because I was very serious about the demise of the planet. On the first day of shooting, Ridley would look through the lens, and everything would change. Snyder: What Ridley said was, he would draw, and Syd Mead would draw, and everyone would draw, and then "the poor bastard art departments" had to build everything. And that's why they had these pyramids at the bottom, for greater access around the perimeter to get into the building in the first place. So I had this vision of these incredible tall buildings, and that triggered the idea of how do you get in and out of a building that's 3,000 feet tall? Well, you need access on the ground plane. And so I thought, well let's add another thousand feet or so - why not? And New York already had buildings over 1,000 feet - well, the Empire State Building. Mead: from Chicago and New York, because they're grid cities. But when I started writing it, then I became sincere, and it became significant to me. I was really immersed, and I worked hard at it, and the rest is Blade Runner. So then, as soon as I started, I got totally involved. My friends kept on me about, well then you write. My friend paid my rent for a year while I wrote, because it turned out we couldn't get a writer. Dick." I said, "You know a guy named-" "Yeah, sure - you want his phone number?" So at urging - I was with her at that moment - she said, "Talk to him! That guy really wants to talk to you," and I said "No, f- him," and keep walking.īut then I did, and then I realized who it was, and I thought, "Wait, he's in that realm, maybe he knows Philip K. And so I gave up.Īnd then I was walking down the street and I ran into Bradbury - he directed a play that I was going to do as an actor, so we know each other, but he yelled "hi" - and I'd forgot who he was. There would be no Blade Runner if there was no Ray Bradbury. Hollywood would not touch any of that, but I was looking for something "commercial," and I thought that all of these things were coming. Which, in 1975, forget it - I mean, that was nuts. ![]() So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.Īnd so the three projects were Do Androids Dream of Electric Sheep, Naked Lunch, and a collection of Bukowski. Kosove had to say about the Point Break remake, and how much surfing we will see in this new version.One of Hampton Fancher's friends gave him money to option an existing property, with the hope of Fancher legitimizing himself in Hollywood.įancher: It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, "OK, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas" - some novel, you know? Kurt Wimmer is writing the screenplay, and it seems that they have a director in mind, although the producer wouldn't announce who the filmmaker is yet. Kosove is also producing the Point Break remake, which was announced back in September. This project is moving forward aggressively in development."Īndrew A. I believe it's an extremely high priority for Ridley, that's what he's said to me. He's got a lot of stuff that he's working on. Kosove said it is a very high priority for the director. When asked if this Untitled Blade Runner Project will be Ridley Scott's next project, Andrew A. "Sometime in the first two months of the new year we'll announce who the screenwriter will be and whether or not it's a prequel or sequel. Kosove revealed in a recent interview that the project still isn't confirmed as a sequel just yet, and that a screenwriter will be announced in early 2012. Last month, we reported that director Ridley Scott is confirmed to direct the new Untitled Blade Runner Project, which is believed to be a sequel. Producer Andrew Kosove also reveals that they are targeting a director for the Point Break remake, but won't reveal who it is just yet. Share Share Tweet Share Share Share Email ![]()
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